Seven Methods of Killing Kylie Jenner

Cleo has holed up in her bedroom to write her dissertation on structural racism, when a tweet triggers her: “At 21, Kylie Jenner becomes the youngest self-made billionaire ever”. But what’s self-made about inherited money and white privilege? Cleo fires off a series of anonymous tweets under the hashtag #kyliejennerfidead to express her frustration about how white women appropriate and benefit from black culture and stereotypes. Cleo’s best friend voices concerns about Cleo’s digital fantasies as the lines between the digital and IRL become blurred.

In her witty, in-yer-face, fast-paced, darkly comical drama, Jasmine Lee-Jones picks up on current debates about black identity, beauty ideals, cultural appropriation, racism, queerness and wokeism and immerses us in the ever-shifting worlds of young people. The playwright situates alegitimate argument about ownership of black female bodies
into the form of hate speech, thus provocatively and intelligently blurring points of view.

During the Twitterludes, Camara, Nishimwe and Zrika chirp in a wild choir, an impersonation of the digital world most aptly described as something between Tex Avery and the tragic choir in Ancient Greek plays.
d’Lëtzebuerger Land

Both Camara and Zrika are brilliant. You’ll come away questioning your own views on beauty, and how much they are manipulated by media and influenced by social media.
Luxembourg Times

Der Twitterbird, (…) Marie-Christiane Nishimwe, zwitschert die Hassbeiträge im Operetten-Stil. Klingt schräg? Ist es auch. Und der Raum versinkt – zu Recht – in tosendem Applaus.
Tageblatt

In partnership with Black History Month Luxembourg 2026 (One People asbl).